Today I started pre-production on a new feature film - The Invisible Man. Co-produced by Jason Blum’s Blumhouse Productions and Goalpost Pictures this sci-fi horror movie is inspired by the classic monster character for Universal Pictures.
Great to be working with Leigh Whannell again (following Upgrade), who will script and direct the movie. Elisabeth Moss has joined the cast in a lead role.
Moss told the Hollywood Reporter: “Part of the reason why I wanted to do it is I actually felt like it was a really feminist story of female empowerment and a victim kind of overcoming something,”
I recently wrapped production on The Dry; a new feature film adaptation of Jane Harper’s novel, directed by Robert Connolly and starring Eric Bana.
After an absence of 20 years, Aaron Falk (Bana) returns to his hometown to attend the funeral of his childhood friend, Luke, who allegedly killed his wife and child before taking his own life. A victim of the madness that has ravaged this community after more than a decade of drought.
We were privileged to be the first Australian feature film to shoot on the new large format Panavision DXL2 and Panavision Primo Artiste 70mm lenses.
Here’s a new TVC I shot with JH Beetge of Goodoil Films in Kiev, Ukraine recently.
Shot on Arri Alexa + Leica Summilux.
Shooting with The Sweet Shop in the beautiful Blue Mountains.
Directed by Stephen Carroll at Revolver.
Directed by Noah Marshall at The Sweet Shop.
Directed by JH Beetge at Goodoil Films. Shot on Arri Alexa with Panavision G-Series anamorphic lenses.
Debut director Thomas Wright had his new feature film Acute Misfortune world premiere at Melbourne International Film Festival this week.
I shared the cinematography duties with Germain McMicking.
UPGRADE premieres June 1 in the USA, and June 14 in Australia.
I've just finished production on JUDY & PUNCH, a new film written and directed by Mirrah Foulkes and starring Mia Wasikowska and Damon Herriman.
Directed by Gracie Otto at Playtime.