I had a great time recently talking to Ben Consoli at the Go Creative Show about the making of The Invisible Man.
https://gocreativeshow.com/the-invisible-man-cinematography-with-stefan-duscio-acs/
The Invisible Man in IMAX
Screen Australia Interview
I recently had the pleasure of being interviewed by Screen Australia about my body of work.
Victoria Fires / Plan & Prepare
Directed by Derin Seale at Finch.
Shot on Alexa LF with Panavision Primo Artiste lenses.
The Invisible Man / Trailer
THE INVISIBLE MAN
In Theaters February 28
https://www.TheInvisibleManMovie.com
What you can’t see can hurt you. Emmy winner Elisabeth Moss (Us, Hulu’s The Handmaid’s Tale) stars in a terrifying modern tale of obsession inspired by Universal’s classic monster character.
Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Moss) escapes in the dead of night and disappears into hiding, aided by her sister (Harriet Dyer, NBC’s The InBetween), their childhood friend (Aldis Hodge, Straight Outta Compton) and his teenage daughter (Storm Reid, HBO’s Euphoria).
But when Cecilia’s abusive ex (Oliver Jackson-Cohen, Netflix’s The Haunting of Hill House) commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see.
Jason Blum, our current-day master of the horror genre, produces The Invisible Man for his Blumhouse Productions. The Invisible Man is written, directed and executive produced by Leigh Whannell, one of the original conceivers of the Saw franchise who most recently directed Upgrade and Insidious: Chapter 3.
The film is also produced by Kylie du Fresne (Upgrade, The Sapphires) for Goalpost Pictures. The executive producers are Whannell, Beatriz Sequeira, Charles Layton, Rosemary Blight, Ben Grant, Couper Samuelson and Jeanette Volturno. The Invisible Man is a co-production of Goalpost Pictures Australia and Blumhouse Productions, in association with Nervous Tick, for Universal Pictures.
Judy & Punch / Trailer
The Invisible Man
Today I started pre-production on a new feature film - The Invisible Man. Co-produced by Jason Blum’s Blumhouse Productions and Goalpost Pictures this sci-fi horror movie is inspired by the classic monster character for Universal Pictures.
Great to be working with Leigh Whannell again (following Upgrade), who will script and direct the movie. Elisabeth Moss has joined the cast in a lead role.
Moss told the Hollywood Reporter: “Part of the reason why I wanted to do it is I actually felt like it was a really feminist story of female empowerment and a victim kind of overcoming something,”
The Dry
I recently wrapped production on The Dry; a new feature film adaptation of Jane Harper’s novel, directed by Robert Connolly and starring Eric Bana.
After an absence of 20 years, Aaron Falk (Bana) returns to his hometown to attend the funeral of his childhood friend, Luke, who allegedly killed his wife and child before taking his own life. A victim of the madness that has ravaged this community after more than a decade of drought.
We were privileged to be the first Australian feature film to shoot on the new large format Panavision DXL2 and Panavision Primo Artiste 70mm lenses.
Schweppes
Here’s a new TVC I shot with JH Beetge of Goodoil Films in Kiev, Ukraine recently.
Shot on Arri Alexa + Leica Summilux.
Sundance 2019
JUDY & PUNCH and SWEETHEART both had their world premieres at Sundance Film Festival 2019 in Park City, Utah. Audience responses have been wonderful, and great reviews abound. Here’s a couple:
Asahi
Shot a new international campaign for ASAHI with the incredible Marco Prestini of In The Thicket.
Agency: The Monkeys. Produced by Genevieve Triquet and Nick Simkins. Production Design by Michael Iacono.
Shot on the new Arri Alexa LF with Arri Signature Primes.
Blue Mountains
Shooting with The Sweet Shop in the beautiful Blue Mountains.
Virgin/ Here's to Looking Up
Directed by Stephen Carroll at Revolver.
TNSW/ Yeah But
Directed by Noah Marshall at The Sweet Shop.
Mobil/ The March
Directed by JH Beetge at Goodoil Films. Shot on Arri Alexa with Panavision G-Series anamorphic lenses.
Acute Misfortune
Debut director Thomas Wright had his new feature film Acute Misfortune world premiere at Melbourne International Film Festival this week.
I shared the cinematography duties with Germain McMicking.
“Adam Cullen biopic is an enthralling, complex triumph. With a brilliant performance by Daniel Henshall, this hauntingly poetic film asks if we celebrate the wrong kind of people. ”
Melbourne
UPGRADE
UPGRADE premieres June 1 in the USA, and June 14 in Australia.
Judy & Punch
I've just finished production on JUDY & PUNCH, a new film written and directed by Mirrah Foulkes and starring Mia Wasikowska and Damon Herriman.
Bonds
Directed by Gracie Otto at Playtime.